5.0HD中字

    玩偶1968

    • 主演:马里乌什·德莫霍夫斯基  贝娅塔·蒂希基维茨  菲耶夫斯基·塔德乌什  Jadwiga  Gall  维斯拉夫·格拉斯  卡里娜·谢鲁斯克  Jan  Koecher  扬·克雷奇马尔  塔德乌什·孔德拉特  Halina  Kwiatkowska  安杰伊·瓦皮茨基  扬·马休斯基  Józef  Pieracki  Janina  Romanówna  Anna  Seniuk  Irena  Szramowska  Wladyslaw  Dewoyno  卢德维克·伯努瓦  克雷斯蒂娜.费尔德曼  Aleksander  Fogiel  Andrzej  H  
    • 导演:沃伊切赫·哈斯  
    • 分类:剧情片
    • 地区:其它 
    • 年份:1968 
    • 更新:2026-04-07 21:20:00
    • 简介:

      The Doll is an adaptation of the novel, The Doll (novel) by Bolesław Prus, which is regarded by many as one of the finest Polish novels ever written and, along with Pharaoh (novel), made Bolesław Prus a potential candidate for the Nobel Prize in literature. The influence of Émile Zola is evident, and some have compared the novel to Madame Bovary by Gustave Flaubert; both were Prus's contemporaries. The movie, however, may be more compared to Stendhal's Le Rouge et le Noir, (The Red and the Black).  The Doll constitutes a panorama of life in Warsaw between 1878 and 1879, and at the same time is a subtle story of three generations of Polish idealists, their psychological complications, their involvement in the history of the nineteenth century, social dramas, moral problems and the experience of tragic existence. At the same time this story describes the disintegration of social relationships and the growing separation of a society whose aristocratic elite spreads the models of vanity and idleness. In the bad air of a backward country, anti-Semitic ideas are born, valuable individuals meet obstacles on their way, and scoundrels are successful.  This poetic love story follows a nouveau riche merchant, Stanislaw Wokulski, through a series of trials and tribulations occasioned by his obsessive passion for an aristocratic beauty, Izabela Lecka, played by the famous Polish actress, Beata Tyszkiewicz.  Plot  As a descendant of an impoverished Polish noble family, young Wokulski is forced to work as a waiter at Hopfer's, a Warsaw restaurant, while dreaming of a life in science. After taking part in the failed 1863 Uprising against Tsarist Russia, he is sentenced to exile in Siberia. On eventual return to Warsaw, he becomes a salesman at Mincel's haberdashery. Marrying the late owner's widow (who eventually dies), he comes into money and uses it to set up a partnership with a Russian merchant he had met while in exile. The two merchants go to Bulgaria during the Russo-Turkish War of 1877-78, and Wokulski makes a fortune supplying the Russian Army. The enterprising Wokulski now proves a romantic at heart, falling in love with Izabela, daughter of the vacuous, bankrupt aristocrat, Tomasz Łęcki. In his quest to win Izabela, Wokulski begins frequenting theatres and aristocratic salons; and to help her financially distressed father, founds a company and sets the aristocrats up as shareholders in his business.The indolence of these aristocrats, who secure with their pensions, are too lazy to undertake new business risks, frustrates Wokulski. His ability to make money is respected but his lack of family and social rank is condescended to. Because of his help (in secret) to Izabela's impecunious but influential father, the girl becomes aware of his affection. In the end she consents to accept him, but without true devotion or love.(wikipedia)

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    The Doll is an adaptation of the novel, The Doll (novel) by Bolesław Prus, which is regarded by many as one of the finest Polish novels ever written and, along with Pharaoh (novel), made Bolesław Prus a potential candidate for the Nobel Prize in literature. The influence of Émile Zola is evident, and some have compared the novel to Madame Bovary by Gustave Flaubert; both were Prus's contemporaries. The movie, however, may be more compared to Stendhal's Le Rouge et le Noir, (The Red and the Black).  The Doll constitutes a panorama of life in Warsaw between 1878 and 1879, and at the same time is a subtle story of three generations of Polish idealists, their psychological complications, their involvement in the history of the nineteenth century, social dramas, moral problems and the experience of tragic existence. At the same time this story describes the disintegration of social relationships and the growing separation of a society whose aristocratic elite spreads the models of vanity and idleness. In the bad air of a backward country, anti-Semitic ideas are born, valuable individuals meet obstacles on their way, and scoundrels are successful.  This poetic love story follows a nouveau riche merchant, Stanislaw Wokulski, through a series of trials and tribulations occasioned by his obsessive passion for an aristocratic beauty, Izabela Lecka, played by the famous Polish actress, Beata Tyszkiewicz.  Plot  As a descendant of an impoverished Polish noble family, young Wokulski is forced to work as a waiter at Hopfer's, a Warsaw restaurant, while dreaming of a life in science. After taking part in the failed 1863 Uprising against Tsarist Russia, he is sentenced to exile in Siberia. On eventual return to Warsaw, he becomes a salesman at Mincel's haberdashery. Marrying the late owner's widow (who eventually dies), he comes into money and uses it to set up a partnership with a Russian merchant he had met while in exile. The two merchants go to Bulgaria during the Russo-Turkish War of 1877-78, and Wokulski makes a fortune supplying the Russian Army. The enterprising Wokulski now proves a romantic at heart, falling in love with Izabela, daughter of the vacuous, bankrupt aristocrat, Tomasz Łęcki. In his quest to win Izabela, Wokulski begins frequenting theatres and aristocratic salons; and to help her financially distressed father, founds a company and sets the aristocrats up as shareholders in his business.The indolence of these aristocrats, who secure with their pensions, are too lazy to undertake new business risks, frustrates Wokulski. His ability to make money is respected but his lack of family and social rank is condescended to. Because of his help (in secret) to Izabela's impecunious but influential father, the girl becomes aware of his affection. In the end she consents to accept him, but without true devotion or love.(wikipedia)油画之中的鬼似乎没办法脱离油画出来,在取走了杨间的一条胳膊一样那模糊的身影又消失了,油画再次恢复到了之前的样子。

    玩偶1968播出时间:1968

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    《玩偶1968》热门评论

    • 糖罐子.发表于: 84小时前
      警察故事没有创新的话只会走下坡路了,这里的故事已开始陷于一般套路了。
    • 一二,发表于: 198小时前
      美国人卖瓜,自卖自夸。做这样一个题材,创作者的角度很关键,一家之词只会失去公信力,客观写实的镜头,反应的却是主观意愿,真诚在哪。不过,朱莉的演技很棒,赞一句。
    • bay135发表于: 177小时前
      德古拉周身不散的哥特气息被用来当做温馨家庭片的调料,丹尼斯姗姗来迟的尖牙也完全没有吸血鬼该有的鬼魅邪气,所有角色都和萌萌哒有着千丝万缕的联系,世界美好和万物和谐的故事基调简直像是奇幻界的核心价值观,三观正到冒出了丝丝宣教意味,但这一群孩子气的妖魔鬼怪确实可爱得冒泡且傻得有水准。
    • 小满发表于: 78小时前
      银行抢了我的地,于是我抢银行的钱;你兄弟杀了我搭档,于是我杀你兄弟。有人有枪,给后代留下土地石油;有人有枪,却只能留下命没有土地没有石油。蒙面抢劫者问老头:你带枪了吗?老头:我当然带枪了。这就是德州。影片镜头感不错,节奏略显沉闷,喜欢这种的除外。克里斯派恩的眼睛真好看
    • Fleurs.哼哼发表于: 104小时前
      如果谁想对台湾目前的状况有一个非常理性的认识的话,候孝贤的<玩偶1968HD720高清在线观看>是必看的.看之前我都没有想到台湾本省人和外省人之间居然会如此仇视,而且随着时间的推移,这种仇视已经慢慢转化为台湾人对大陆人的仇视.对这种情况,陈仪需要负最大的责任.其实日本人投降后,台湾本省人是抱着回归中国的积极态度的(影片中那些台湾知识分子动情高唱<流亡三部曲>就是一个例子),可是由于陈仪为首的大陆人在台湾的胡作非为,硬是把台湾人的地方意识给逼出来了,然后由于蒋介石的高压政策进一步恶化.

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